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Book Launches for How I Became a Writer 2: Essays by Filipino Writers

August 5, 2026 by admin Leave a Comment

I am hap­py to announce that the anthol­o­gy, HOW I BECAME A WRITER 2: ESSAYS BY FILIPINO WRITERS, (Vibal 2026, Ed Cecil­ia Manguer­ra Brainard) will be launched in Cebu and in Manila:

Sat­ur­day, Sep­tem­ber 5, 2026, 3 pm — Lost Books Cebu, CAO Mer­ca­do Bldg, Osme­na Blvd, Cebu City — Edi­tor Cecil­ia Brainard and Con­trib­u­tor Dan­ton Remo­to will be there;

Sat­ur­day, Sep­tem­ber 12, 2026, 5 pm — Vibal launch at the MIBF, Vibal booth (Booth Nos. 189–193 and 204–209, Aisles K & L) Mani­la Inter­na­tion­al Book Fair 2026 at SMX Con­ven­tion Cen­ter Manila.

***

I am shar­ing my Intro­duc­tion to the col­lec­tion. Check out Vicente Rafael’s con­tri­bu­tion and a review of the first vol­ume of How I Became a Writer — see Read also at the bot­tom. The names of the 25 con­trib­u­tors and the blurbs are on the back of the cov­er, above.

INTRODUCTION

copy­right 2026 by Cecil­ia Manguer­ra Brainard

THE FIRST VOLUME OF How I Became a Writer: Essays by Fil­ipino Writ­ers, which was released in 2025, grew out of my per­son­al curios­i­ty about how oth­er writ­ers dis­cov­ered their gift for writ­ing. I won­dered how they devel­oped their tal­ent to become the not­ed writ­ers they now are. I invit­ed my lit­er­ary writer friends to share in my blog their per­son­al jour­neys. The 22 authors’ per­son­al sto­ries by estab­lished writ­ers revealed a lot about the cre­ative process and at the same time, taught oth­ers “how to do it.”

Val­i­da­tion of the strength of the col­lec­tion came in dif­fer­ent forms. Vibal picked it up for pub­li­ca­tion; it is one of their best sell­ers. Philip­pine Nation­al Artist in Lit­er­a­ture, Resil Mojares, who is reput­ed for his straight-talk­ing, praised it say­ing: “How I Became a Writer: Essays by Fil­ipino and Fil­ipino Amer­i­can Writ­ers offers inti­mate, fine-grained accounts in the mak­ing of what con­sti­tutes con­tem­po­rary Philip­pine lit­er­a­ture, pro­vid­ed by a remark­able set of Fil­ipino writ­ers in the Philip­pines and abroad, It is a book to be treasured.”

Fur­ther val­i­da­tion came when my Brazil­ian pub­lish­er picked up the book for trans­la­tion into Portuguese.

Grat­i­fied by the response to Vol­ume 1 of How I Became a Writer, I went on to col­lect per­son­al essays for Vol­ume 2 of How I Became a Writer. I want­ed this sec­ond vol­ume to offer some­thing dif­fer­ent from the first vol­ume. Aside from tes­ti­mo­ni­als by fic­tion writ­ers and poets, I want­ed to hear the per­son­al sto­ries of non-fic­tion writ­ers, includ­ing jour­nal­ists, his­to­ri­ans, and oth­ers, about their chal­lenges and devel­op­ments, as well as their con­tri­bu­tions to Philip­pine writings.

I sought them out, but I quick­ly learned that one can­not box writ­ers in cat­e­gories; writ­ers will write in dif­fer­ent gen­res: a his­to­ri­an can be a jour­nal­ist, a poet, a play­wright, a mem­oirist, a fic­tion writer. This anthol­o­gy includes such authors who write in var­i­ous gen­res. The col­lec­tion also includes play­wrights, a chick-lit nov­el­ist, and a com­ic-book writer. The read­er will find an amaz­ing col­lec­tion of tes­ti­mo­ni­als by estab­lished Fil­ipino writ­ers from dif­fer­ent parts of the world, who have some­thing to say about their cre­ative process and work.

Writ­ers in Diaspora

While most of the writ­ers in this book come from the Philip­pines and Amer­i­ca, we have eight con­trib­u­tors from oth­er coun­tries. We have Gene Alcan­tara who resides in the UK and Spain. For decades, Gene has worked in build­ing a strong net­work of Fil­ipino writ­ers in the EU. He is involved in Fil­ipino pub­li­ca­tions (pub­lished and online) in the UK and the rest of Europe. Aside from jour­nal­is­tic work, he also writes poet­ry and short sto­ries and is a trans­la­tor (from Russ­ian to Filipino).

From North­ern Cal­i­for­nia, we have Myles A. Gar­cia who is a screen­writer, non-fic­tion writer, and reg­u­lar con­trib­u­tor to the wide­ly dis­trib­uted online mag­a­zine called Pos­i­tive­ly Fil­ipino. Geron­i­mo Tagat­ac, the son of an Ilo­cano farm­work­er, comes from Ore­gon. An avid lis­ten­er to the sto­ries of his father and his Cajun grand­moth­er, he trans­forms his Fil­ipino Amer­i­can expe­ri­ences into sto­ries. From Mass­a­chu­setts, we have Grace Talu­san who teach­es at Brown Uni­ver­si­ty and writes mem­oirs. New York-based Luis H. Fran­cia, who knew Jose Gar­cia Vil­la in New York, is a play­wright, poet, jour­nal­ist, and non-fic­tion writer. Bri­an Ascalon Roley from Ohio is anoth­er award-win­ning writer and pro­fes­sor who melds in this writ­ing, his Fil­ipino and his Amer­i­can expe­ri­ences. His debut nov­el, Amer­i­can Son, about two Fil­ipino-Amer­i­can broth­ers in Cal­i­for­nia, remains a pow­er­ful land­mark nov­el. Sin­ga­pore-based Claire Beti­ta de Guz­man gives us insight into her writ­ing life as a com­mer­cial­ly suc­cess­ful chick-lit nov­el­ist; she is high­ly pop­u­lar among younger readers.

Jour­nal­ists

There are sev­er­al jour­nal­ists in this col­lec­tion who had opposed the Fer­di­nand Mar­cos Sr. Dic­ta­tor­ship. When the 1972 Mar­tial Law broke out in the Philip­pines, Rene Ciria-Cruz, had to leave the Philip­pines for New York where he became the orga­niz­er for the KDP (Katipunan ng mga Demokratikong Pilipino).

Alma Cruz Miclat and her hus­band Mario Miclat, fled to Chi­na after Mar­tial Law. There they lived for 15 years, with their two daugh­ters, until the Peo­ple Pow­er EDSA Rev­o­lu­tion allowed them to safe­ly return to the Philippines.

Jour­nal­ists in this book who cov­er polit­i­cal and human rights top­ics include Ma. Ceres Doyo, Marites Dañguilan Vitug, Eliz­a­beth Lolarga, and Mar­ra Pl. Lan­ot (who is mul­ti­lin­gual and has writ­ten books of poet­ry and fic­tion and poet­ry and fic­tion in Eng­lish, Fil­ipino, and Spanish).

Aca­d­e­mics

This book includes mul­ti­tal­ent­ed aca­d­e­mics who write lit­er­ary his­to­ry, crit­i­cism, and oth­er aca­d­e­m­ic work, as well as fic­tion, cre­ative non-fic­tion, poet­ry, and plays.

Cristi­na Pan­to­ja Hidal­go has pub­lished more than 40 books of nov­els, short sto­ry col­lec­tions, cre­ative non-fic­tion, as well as lit­er­ary crit­i­cism. Susan Evan­ge­lista, who was born in Michi­gan but who has lived in the Philip­pines since the 1960s, finds writ­ing inspi­ra­tion from her wealth of expe­ri­ences. She served in the Amer­i­can Peace Corps; she taught at the Ate­neo and Palawan State Uni­ver­si­ties; she co-found­ed with her daugh­ter an NGO which pro­motes repro­duc­tive health.

Play­wright and poet Joem Anto­nio also writes children’s books even as he teach­es at the Uni­ver­si­ty of Asia and the Pacif­ic. Jose Wen­dell Capili who is immersed in his aca­d­e­m­ic life at the Uni­ver­si­ty of the Philip­pines as Pro­fes­sor and Dean for Pub­lic Affairs, pulls in awards for his lit­er­ary his­to­ry and crit­i­cism, essays, poet­ry, and oth­er writ­ings. Char­lie Samuya Ver­ic, who is Direc­tor of the Ate­neo Lit­er­ary and Cul­tur­al Stud­ies Pro­gram; Vice Chair of the Ate­neo Archive of Philip­pine Lit­er­a­ture in Eng­lish; and Vice Chair of the Nation­al Research Coun­cil of the Philip­pines, finds the time to write poet­ry even as he does his his­tor­i­cal and oth­er aca­d­e­m­ic writings.

Dan­ton Remo­to is a pro­fes­sor, jour­nal­ist, fic­tion writer, poet, screen­writer, who is also involved in fight­ing for human and gen­der rights. He found­ed Lad­lad, the LGBTQ polit­i­cal par­ty in the Philip­pines. Among his many pub­lished books are River­run and The Heart of Sum­mer: Sto­ries and Tales. 

His­to­ri­ans

The his­to­ri­ans in this col­lec­tion include Jose Vic­tor Z. Tor­res who inte­grates a lit­er­ary style in his his­tor­i­cal writ­ings. “I was writ­ing his­tor­i­cal pieces that wasn’t the aca­d­e­m­ic style of pre­sent­ing his­to­ry. I was telling his­to­ry as a sto­ry. It was excit­ing to be a his­to­ri­an and a sto­ry­teller at the same time,” he says.

The food his­to­ri­an, Ige Ramos, also graces this anthol­o­gy. Aside from his schol­ar­ly work on food, Ige Ramos, is also a book designer.

Anoth­er his­to­ri­an in this col­lec­tion, Vicente Rafael, unfor­tu­nate­ly passed away in Feb­ru­ary 2026, but he leaves us with his wise words in this col­lec­tion. “My prac­tice and habit of writ­ing have always been shaped by my read­ing,” his essay begins. In his ele­gant writ­ing, he informs us about the impor­tance of libraries, and how at a young age, he spent “quite a bit of time rif­fling through card cat­a­logs … (and) Like meet­ing strangers who end up becom­ing friends, found books proved to be inti­mate companions …”

Oth­er Writers

Oth­er notable writ­ers in this book include Father Jesus Jay M. Miran­da, Jr., a Domini­can pro­fes­sor at the Uni­ver­si­ty of San­to Tomas, who gives us a reli­gious point of view as an opin­ion writer. We have not­ed comics writer and artist Randy Valiente, who bright­ens the pages of our anthol­o­gy with his per­son­al sto­ry in comic-form.

The col­lec­tion also includes Jes­si­ca Zafra, who was a pop­u­lar tele­vi­sion and radio show host, colum­nist, and non-fic­tion writer, before focus­ing on fic­tion writ­ing. In this book, she shares with us how she wrote her debut nov­el The Age of Umbrage.

I am proud to present How I Became a Writer: Essays by Fil­ipino Writ­ers Vol­ume 2, which high­lights 25 of our most tal­ent­ed writ­ers. I believe the read­ers will find nuggets of infor­ma­tion as well as inspi­ra­tion in their per­son­al accounts.

Bio: Cecil­ia Manguer­ra Brainard is the author and edi­tor of over 22 books, includ­ing the nov­els: When the Rain­bow God­dess Wept, Mag­dale­na, and The News­pa­per Wid­ow, and her Select­ed Short Sto­ries. Her books have been trans­lat­ed into 12 languages.

She has received a Lit­er­ary Advo­cate Award from the Car­los Bulosan Book Club, an Out­stand­ing Indi­vid­ual Award from her birth city of Cebu, a Cal­i­for­nia Arts Coun­cil Fel­low­ship, a Nation­al Book Award, the Cir­i­lo Bautista Prize, sev­er­al trav­el grants from the US Embassy and from the Nation­al Book Devel­op­ment Board, among others.

She runs a small press, PALH or Philip­pine Amer­i­can Lit­er­ary House. ~

READ ALSO:

         Per­spec­tives in the Arts and Humati­ies Asia — Dr. Char­lie Ver­ic Inter­vi­ws Cecil­ia Brainard 

Writ­ing Amid the Babel of Books by Vicente L Rafael — includ­ed in How I Became a Writer 2

Book Review of How I Became a Writer: Essays by Fil­ipino and Fil­ipino Amer­i­can Writ­ers by Elfren S. Cruz 

Filed Under: Nonfiction, Uncategorized Tagged With: #booksphilippines #philippinebooks #filipinowriters

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Welcome!

I am a daugh­ter of the Philip­pines and an adopt­ed daugh­ter of Amer­i­ca. I have also trav­eled to many places so I am also a daugh­ter of the Earth. My expe­ri­ences have found their way into my sto­ries, which try to depict char­ac­ters caught in impor­tant moments in their lives, sit­u­a­tions that force them to act, make deci­sions, change. I try to see the world from my own point of view, not the dom­i­nant West­ern one, thus my inter­est in his­to­ry, cul­ture, and set­ting. But my char­ac­ters car­ry my sto­ries; they are the most impor­tant in my sto­ry-telling. I have to dive deep into them to under­stand their human­i­ty – their good­ness as well as their bad­ness, their beau­ty as well as their ugli­ness. Just like us. Just like each of us. I need to know where they came from, where they are now, so I under­stand where they are going. Just like us.

Please read my full biog­ra­phy here

 

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